Today, September 26, is the birthday of architect Timothy Pflueger. Since he was born in 1892, he clearly would not be alive today (it would be his 118th birthday), but I always wonder what else he would have accomplished if he had lived beyond his 54 years. It is amazing to consider how much work he did, and how much of it is extant in San Francisco and the Bay Area, even for his rather short life, but remember he did begin his career as an office boy, around age 13 and quickly become a draftsman.
Pflueger is getting a bit of attention this autumn, thanks to the interest of many local architectural groups in his work. San Francisco Architectural Heritage included me in their 2010 lecture series and we had a great crowd last Thursday night at their new lecture venue at Pier 1 to learn more about Pflueger’s work and times. I also got to meet their new executive director, Mike Buhler, who was most recently director of advocacy for the Los Angeles Conservancy and before that, at the western office of the National Trust of Historic Preservation. Indeed, Buhler has come out swinging in his first month on the job, as co-author (along with Anthea Hartig of the National Trust) writing a letter to the editor in the San Francisco Chronicle, a thoughtful response to yet another anti-preservationist column by C.W. Nevius, this time over the brouhaha on whether or not to save the North Beach Library.
Next month, I am giving a broader talk, “The Evolution of Art Deco in San Francisco” and will include some of Pflueger’s well-known, and not so well-known contemporaries, at the San Francisco Chapter of the American Institute of Architects, as part of the “Rediscover the City” series. Architecture buffs may want to catch some or all of them. If you are a member of the AIA, the lectures are $20 each ($25 for non-members), and $100 for the whole series of six ($125 non-members).
Also coming up is a talk in November at the Neutra House in Los Altos, as part of their 2010-2011 lecture series on Bay Area Masters that also help pay for the restoration of the house. And Pflueger is showcased in the autumn issue of Modernism Magazine in an article by yours truly called “Shaking up San Francisco’s Skyline.”
The past month has also been a feast of activity for local architecture aficionados, including a great series of films at the San Francisco Public Library, as part of the SF AIA’s “Architecture and the City Festival.” My two favorites were the documentary on Daniel Burnham, called “Make No Little Plans, Daniel Burnham and the American City” and the amazing 2009 film about John Lautner, called “Infinite Space, The Architecture of John Lautner.” Check out the trailer here. This film, plus “Visual Acoustics: The Modernism of Julius Shulman,” which I also saw at another AIA event, are both worth owning.
One of the funnest parts of the beautifully shot Lautner film was how the filmmakers managed to find a group of Lautner-obsessed architecture students in Holland who were planning a trip to Los Angeles, and doing searches using Google Earth for Lautner homes, some of which can be spotted by their unusual roofs. The students and their obsession reminded me of some of the things my passionate architectural historian friends and I do in our detecting work. Another element that enhanced the film was audio of Lautner, who gave a lecture at the AIA late in his career, and they were able to frequently use snippets as voice overs, talking about his philosophy.
One memorable line from the Lautner film was something that I think applies to some of the world’s best architects. Lautner said in his talk, “That’s the essence of it. My whole life is devoted to architecture and that’s what I live on.” Many people wonder why Pflueger never designed his own home and lived the bulk of his life in the plain family home at 1015 Guerrero Street. I think Lautner’s comment says it all.